From 9,000 feet to 9,000 feet, my three brothers and I leave Washington Basin for lunch and fuel in Ketchum before beginning our westward leg along the South Fork of the Boise River toward home.

- Sony α7ʀ
- Sony FE 35mm ƒ2.8
- ISO 100
- 1⁄20 second
- ƒ5
- Adobe Photoshop Lightroom 5.6
We are roused pre-dawn by our faithful brother Jeremy to stand in Washington Basin’s cold air, backs to the crackling fire and coffee in-hand, to watch a bright morning slowly settle upon us, the first morning of the rest of our lives.

- Sony α7ʀ
- Zuiko 200mm f/5 Auto-T MC
- ISO 100
- 1⁄50 second
- ƒ8
- Adobe Photoshop Lightroom 5.6
Mountain goats ply the high ridges around us, remaining for now in the shrinking shadows.

- Sony α7ʀ
- Zuiko 200mm f/5 Auto-T MC
- ISO 250
- 1⁄500 second
- ƒ8
- Adobe Photoshop Lightroom 5.6

- Canon PowerShot S95
- 6.0-22.5 mm
- ISO 160
- 1⁄1000 second
- ƒ4
We have done our best to isolate necessary conditions of the Husqvarna faults. Altitude? Climbing? We’ve re-checked petcock flow, spark and air filter. Nothing quite adds up.
The most probable cause seems to remain within the carburetor so I guess we’ll dig a little deeper into that. Jesse squats to assist with the now-familiar disassembly.
- Photo by Jeremy Abbott

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
- 1⁄200 second
- ƒ3.2
- Adobe Photoshop Lightroom 5.6
The TW has been sputtering at full throttle so Jeremy decides to participate in this maintenance moment, beginning with a check of the air filter.
“It’s not surprising to me,” I caution him when he prepares to dig farther, “that you’d get that behavior with the stock jetting at high altitudes. I’m worried we’ll accidently make it worse if we pull the carb or something.”
We agree we don’t want to end up with two fickle motorcycles.

- Canon PowerShot S95
- 6.0-22.5 mm
- ISO 80
- 1⁄250 second
- ƒ4
Everything about the Husqvarna float, float-valve and needle looks fine to our untrained eyes. We dig further into the diaphragm and jets (starter, idle, main). It’s all tight and clean. As we begin reassembling, I notice the diaphragm spring seems to have been on the wrong side. There are fitted grooves on the other side. None of us knows what the effect of that would be but at this point we’re just glad to find something to try.
- Photo by Jeremy Abbott

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
- 1⁄800 second
- ƒ4
- Adobe Photoshop Lightroom 5.6
Jesse tests it on the little lake flat, accelerating hard. It seems strong. We’re not fooled into feeling confident, of course, but we’ll take what we’ve got. Let’s roll.

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
- 1⁄640 second
- ƒ4
- Adobe Photoshop Lightroom 5.6

- Canon PowerShot S95
- 6.0-22.5 mm
- ISO 80
- 1⁄100 second
- ƒ4
Although we hoped moving the diaphragm spring in the Husky’s carburetor would be a magical fix, we knew that didn’t add up either, so we’re not surprised when it hesitates a couple times on our way down the mountain — nothing worth being stressed about.
- Photo by Jeremy Abbott

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
- 1⁄2000 second
- ƒ4
- Adobe Photoshop Lightroom 5.6
With a practical top speed of maybe 52 MPH, the thirty-five highway miles from Pole Creek Road to Ketchum aren’t as thrilling for Jeremy. Winding through high mountains isn’t such a bad place, though, for a leisurely pace.

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
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- Adobe Photoshop Lightroom 5.6
Bad gas was one of our Husky theories. Like the others, it doesn’t quite fit the facts but we figure we’ll grab a bottle of Heet or something to rule it out. We stop at the Ketchum Veltex where Jeremy and Jesse share a bottle between their tanks.
We then grab a quick sandwich and fries at the artless Burger Grill before heading west out of town on Warm Springs Road.

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
- 1⁄125 second
- ƒ6.3
- Adobe Photoshop Lightroom 5.6
Other than a few hardy bicyclers, we have the road over Dollarhide much to ourselves. I didn’t realize previous years’ fires had reached up here. I’m surprised to see how much is burned.

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
- 1⁄60 second
- ƒ6.3
- Adobe Photoshop Lightroom 5.6
We are concerned how the Husky will perform climbing back to 9,000 feet so we’re considering campsites along the South Fork of the Boise River. A nice place to bathe is also desirable.
Campsite selection seems to be the only thing that ever creates a quiet tension among us. I think Joel and I are happy with the places along the river but Jeremy and Jesse want to push for something more remote.
“This would be good for an RV,” Jeremy says of even the best riverside site (all vacated now that we’re back into the work-week). The connotation is understood.

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
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- ƒ6.3
- Adobe Photoshop Lightroom 5.6
We burn time exploring riverside options until I realize none will pass muster. Then, feeling a little exasperated, to be honest, I twist open the throttle for Trinity Lakes. Evening will soon be upon us so I lead hastily past Abbot Campground and Rocky Bar toward higher elevations.

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
- 1⁄250 second
- ƒ6.3
- Adobe Photoshop Lightroom 5.6

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
- 1⁄640 second
- ƒ2.8
- Adobe Photoshop Lightroom 5.6

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
- 1⁄800 second
- ƒ5.6
- Adobe Photoshop Lightroom 5.6
“You made the right call,” I tell Jeremy when we reach Trinity Ridge. The Husky is doing fine and we’ve made good time. And it’s beautiful up here, this vast space seemingly all to ourselves.

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
- 1⁄1000 second
- ƒ4
- Adobe Photoshop Lightroom 5.6

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 100
- 1⁄320 second
- ƒ4
- Adobe Photoshop Lightroom 5.6

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 250
- 1⁄60 second
- ƒ4
- Adobe Photoshop Lightroom 5.6
Just a few miles on, we pull into the Big Trinity Lake campground and find we have our choice of sites. We circle around and choose the same one Brenna and I camped at last summer.¹
- Trail Image, “Big Trinity Damsels”: http://trailimage.com/big-trinity-damsels

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 250
- 1⁄60 second
- ƒ4
- Adobe Photoshop Lightroom 5.6
Although a developed site is a little against the rules, it is nice to have potable water (there’s a hand-pump) and a place to set our stuff.

- Canon PowerShot S95
- 6.0-22.5 mm
- ISO 160
- 1⁄60 second
- ƒ2
I walk down to the lake’s edge that before, when Brenna and I visited, was overrun with blue damselflies. I find a new, more peculiar overpopulation, frogs and tadpoles. There are so many they’re piled up along the banks.
- Photo by Jeremy Abbott

- Sony α7ʀ
- Sony FE 35mm ƒ2.8
- ISO 320
- 1⁄60 second
- ƒ8
- Adobe Photoshop Lightroom 5.6
We speculate on the probable, night-time lagoon creature attack.

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 250
- 1⁄60 second
- ƒ4
- Adobe Photoshop Lightroom 5.6

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 500
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- ƒ4
- Adobe Photoshop Lightroom 5.6
Jeremy takes a turn with Husky diagnoses, hoping to fix the flat battery and newly faltering dash.

- Sony α7ʀ
- Sony FE 55mm ƒ1.8
- ISO 320
- 1⁄60 second
- ƒ4
- Adobe Photoshop Lightroom 5.6
The power issue ends up being simpler. A battery lead is cracked.

- Canon PowerShot S95
- 6.0-22.5 mm
- ISO 320
- 1⁄60 second
- ƒ2
The lake bottom is gooey so instead of bathing there we take little showers with the campground hand-pump. That water is head-hurting, hellu-cold! — but worth it to feel clean. We warm up around a fire made with wood hauled from a nearby site, the last of our freeze-dried, hot meals, and sips of whiskey or, in Jeremy’s shameful case, whipped-cream vodka.

- Sony α7ʀ
- Sony FE 35mm ƒ2.8
- ISO 100
- 8 second
- ƒ5
- Adobe Photoshop Lightroom 5.6
The latter nights of our rides are filled with entertaining retellings of the misadventures that brought us here. And, as usual, it seems too quickly to be over. “I could keep riding,” we agree.

- Sony α7ʀ
- Sony FE 35mm ƒ2.8
- ISO 2500
- 30 second
- ƒ2.8
- Adobe Photoshop Lightroom 5.6
The night sky is again clear, stars reflecting deeply in the placid, private lake before us as a deep chill settles on this, our final night.