Leslie Gulch to Birch Creek Camping

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 4000
  • 1⁄60 second
  • ƒ4
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

Happy Trails nerf bars and skid plate were applied to Joel's KLR the night before our ride. Thanks to Ed for making that come together in spite of not officially having all the parts in stock.

Joel used my faux dremel to clean up some plastic edges then accidently touched it on the windshield for the final, finishing touch.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄400 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

I had to tease Joel about loading so much. “Just testing the setup,” he explained. Whatever. I know those bags are stuffed with lovingly packed hors d’oeuvres from Jill.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 560
  • 1⁄60 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

Ready for launch.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

We followed back roads instead of the Interstate west. I wanted Joel to appreciate that the Boise area can be pretty too.

City living
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1600 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1
City living
Marsing ahead
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2500 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1
Marsing ahead
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2500 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

This route would involve crossing Succor Creek a couple times. It wasn’t looking good.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

This was a little splash on the wheels last time through. We stopped to assess our options as a couple ladies on horseback approached from behind.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1250 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

“I got my foot wet,” the nearest lady said, bending her ankle to show us how deep the water was on the horses. The lead horse refused to cross here.

“What’s the best way to Succor Creek Road?” I asked between shared remarks on the beautiful day. We obviously weren’t going this way. We didn’t get much of an answer out of them.

“I think they hated us,” I said to Joel in a low voice as they rode away.

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1600 second
  • ƒ4
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

Between squints at the tiny GPS screen and good old-fashioned dead reckoning, we didn’t lose too much time on our way to Succor Creek State Park.

I have wanted to stop here and poke around before where Succor Creek cuts into the overhanging cliff.

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄100 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

Joel and I had nothing to add.

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄320 second
  • ƒ8
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

We all gotta pee sometime.

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄3200 second
  • ƒ4
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

It was a short break.

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄500 second
  • ƒ11
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

This overlooks Succor Creek State Park from the opposite end.

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄400 second
  • ƒ11
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄500 second
  • ƒ11
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

The forecast called for wind gusts up to 50 miles per hour. I don’t think we experienced any that strong but combined with the freshly graded, thick gravel, it was entertaining just keeping to the Leslie Gulch road.

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄250 second
  • ƒ11
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

neck bent

apply the brakes

for the reign of fire

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄320 second
  • ƒ11
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄500 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

We stopped for a brief hike among these peculiar formations.

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄60 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

I came across this partially hidden memorial on an earlier hike. I went to show Joel and was surprised to find it broken. Who would do such a thing?

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄640 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

I think they look like eyelids. Creepy monster eyelids.

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄400 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

I know it isn’t his favorite thing but he agreed to pose.

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1000 second
  • ƒ4
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

We sat here a bit and comtemplated our odd surroundings.

“Let me get another picture to make Jesse jealous,” I requested.

Jesse was supposed to come along for this ride. We kept adjusting the timing to accommodate everyone’s schedules but in the end Jesse decided school was more important. What a lamer.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄5000 second
  • ƒ2.8
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

There must have been a little cloudburst above the cutoff to Mogogany Creek. It was a slow-going, legs out affair avoiding a nap in the mud.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄4000 second
  • ƒ2.8
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

Last time through I circled far around this farm, through which is the most direct overland route to Jordan Craters Road, on the assumption it was occupied.

Well, turns out it isn’t. There were no signs or gates to ward us off so Joel and I stopped for a look then continued straight through.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄3200 second
  • ƒ2.8
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄4000 second
  • ƒ2.8
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

I was worried that Mahogany Creek might be running as high as Succor Creek so I let Joel go first.

Two inches of water we can handle.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

cows stand chewing

wet meadow grass

while mud swallows wheels

Here we have Joel "Runs with Cows" Abbott. He did a little loop out among them—kind of became one of them.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄640 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

faint tracks

the sound of wind

this must be the way

As the bird flies, this should be a pretty good shortcut. My first time through was a little challenging but I’d had time to study the map and GPS tracks for this second pass.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄800 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

We have skipped ahead a bit because I saw things getting a little messy ahead and gathered momentum just to launch myself into an axle-deep quagmire.

So I stopped and waited for Joel to offer his help. It seemed like it took him a long time to offer while I stood in my waterproof boots watching him in his non-waterproof boots.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄500 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

It doesn’t look bad but the GS was having none of it. Althought the KLR is twice Joel’s previous bike I was happy to demonstrate that it’s still better in the mud than a GS.

You’re welcome.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄500 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

I felt bad about laying a track like this through somebody’s field but by the time conditions were obvious we were close to being across. Mea culpa.

  • Adobe Photoshop CS5.1 Windows

Do not be deceived by the line called Magogany Creek Road. It was put there by a nefarious Delorme employee to crush spirits. It’s just a creek and cow pasture.

Fences and ponds turned us around a few times in spite of this being Plan 2.0. But I am steadfast in the conviction that it’s a shortcut. Third time will be perfect. Promise.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄400 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

The wind that nearly blew us off the Leslie Gulch Road was felt again, coldly, as we passed by the fog shrouded Jordan Craters lava field.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄500 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

Perfect: we have four wheels between us.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄800 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 8.4.1

The contrasting rocks caught my attention.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

Everything in the ride so far I’d seen but down to the Birch Creek Historic Ranch I’d not been.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

I guess that’s Birch Creek.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄640 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

I waved Joel by so I could capture this dramatic water crossing. Well, it might have been dramatic if not for that speed limit.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

water wheel

ingenuity

a late frost

“Nestled among cream and chocolate colored hills, barren red cliffs, and towering rock spires lays a secret oasis: the Birch Creek Historic Ranch. Established in the early 1900s, the ingenuity and determination of€ a Basque sheepherder and a West Virginia cattle rancher are still evident at the site today. Stone walls built in the Basque tradition still ascend the mesa. Remnants of a waterwheel hint at the lush alfalfa fields fed through the gravity irrigation system. Nineteen buildings and structures at the ranch contribute to the property’s designation as a historical rural landscape on the Department of the Interior’s National Register of Historic Places” (BLM Brochure).

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄800 second
  • ƒ4
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

How did your feet get wet? —the question I didn’t ask.

We were glad to see abundant fuel. The Owyhees don’t always provide much.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄320 second
  • ƒ4
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

I used the excuse of recent surgery to defer to Joel for the wood cutting. He did good work.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄640 second
  • ƒ2.8
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

In our different brother rides, we couldn’t remember arriving at a campsite with so much remaining daylight. Now what do we do?

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 360
  • 1⁄60 second
  • ƒ11
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

I decided to explore the cliffs.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄125 second
  • ƒ8
  • -1 compensation
  • Adobe Lightroom 8.4.1

I saw a big rabbit over here but it could scramble a lot better than I could.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄60 second
  • ƒ8
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

The large crack in the rock that I hoped might be the entrance to a fantastic cave instead was a hollow that, judging by stacked rock walls, had long ago been used as a corral.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄100 second
  • ƒ8
  • -4⁄3 compensation
  • Adobe Lightroom 8.4.1

I wonder what the story of the perch and chain is.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 250
  • 1⁄60 second
  • ƒ8
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

Once your eyes adjust to the subtle desert colors, the rocks up here are pretty spectacular. I felt like a kid in a candy store as I climbed around these rocks.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄60 second
  • ƒ8
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

"Both properties were homesteaded between 1899 and 1901. The property was used as the headquarters for livestock ranching operations throughout the historic and early modern periods until 1968–1977 … The rows of mature locusts and elms Morrison planted some 60 years ago” (BLM Historic Structure Report, pp. 5, 12).

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 400
  • 1⁄60 second
  • ƒ8
  • -1 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 500
  • 1⁄60 second
  • ƒ8
  • -1 compensation
  • Adobe Lightroom 8.4.1
Grey rebels
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 500
  • 1⁄60 second
  • ƒ8
  • -1 compensation
  • Adobe Lightroom 8.4.1
Grey rebels
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 640
  • 1⁄60 second
  • ƒ8
  • -1 compensation
  • Adobe Lightroom 8.4.1

climbing heart quickens

to cracked rocks

plucked of treasure

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 250
  • 1⁄60 second
  • ƒ8
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

It was clear every nook and cranny had been repeatedly picked over for thundereggs. Little round hollows signifying their absence were everywhere.

“A Thunderegg is not actually a rock. It is a structure, sometimes a nodule, sometimes a geode, occurring in rhyolite, welded tuff, or perlitic rocks. However, without question, the Thunderegg is by far the most popular ‘rock’ in Oregon” (http://www.naturenw.org/rock-thundereggs.htm).

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄60 second
  • ƒ8
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

the hard angle

between blue and orange

is cold in the hand

One way or another
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄100 second
  • ƒ8
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1
One way or another
  • Nikon D700
  • Zeiss Makro-Planar T* 2/100 ZF.2
  • ISO 200
  • 1⁄250 second
  • ƒ4
  • Adobe Lightroom 8.4.1

Joel appeared unmoved from the fire as I made my way from the cliffs back to our camp.

Dissolving
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄200 second
  • ƒ5.6
  • Adobe Lightroom 8.4.1
Dissolving
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄40 second
  • ƒ4
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

tongues dance

words drift

darkness circles

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄20 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 8.4.1

Continued wind made a hungry fire.

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄15 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄20 second
  • ƒ5.6
  • -4⁄3 compensation
  • Adobe Lightroom 8.4.1

inarticulate

the plastic bottle is empty

time for sleep

  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄5 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

“I have to get your KLR with that sunset behind,” I explained. And with that sock hanging there—so beautiful.

Morning comes to camp
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄800 second
  • ƒ5.6
  • Adobe Lightroom 8.4.1
Morning comes to camp
Striking color of simple shrubs and soil
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄640 second
  • ƒ5.6
  • Adobe Lightroom 8.4.1
Striking color of simple shrubs and soil
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1250 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 8.4.1

We awoke to a glorious morning, threats of rain having never materialized.

Packing up
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄400 second
  • ƒ8
  • -1 compensation
  • Adobe Lightroom 8.4.1
Packing up
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄320 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

This was a quick trip for Joel. Later in the same day he would need to head three hundred miles back to Moscow for work the next morning.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄320 second
  • ƒ8
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

After Succor Creek, Leslie Gulch and Birch Creek, Jordan Craters would be our last big stop.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄200 second
  • ƒ8
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

Ironically, it’s one of his better smiles.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄200 second
  • ƒ8
  • -5⁄3 compensation
  • Adobe Lightroom 8.4.1

From the parking lot, this pair of craters look like small holes compared to the main Coffeepot Crater. Up close, it’s another story.

Joel noticed the rocks at the edge overhang the cliff and stepped back. I was trying to take some pictures and wasn’t worried about it until then. After he did that, I got nervous. Darn it.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄500 second
  • ƒ8
  • -5⁄3 compensation
  • Adobe Lightroom 8.4.1

For a sense of scale, that’s my shadow in the ring of light on the far crater wall. It’s a big hole.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄400 second
  • ƒ8
  • -5⁄3 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄1250 second
  • ƒ8
  • -5⁄3 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2500 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

From Coffeepot Crater we headed south to circumnavigate the lava field.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1600 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

We stopped for a look at the stone corral near Mud Lake. It’s about what you see.

  • Adobe Photoshop CS5.1 Windows

The path hugging that western tongue of lava was fun, though it took discerning eyes to see there was a path.

  • Adobe Photoshop CS5.1 Windows

Our time between Leslie Gulch and Jordan Valley went something like this.

(if you’re on facebook, remember to click the upper-right arrow thing to biggie size the pictures)

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄800 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

From the stone corral we followed a somewhat discernable path along the edge of the lava. It was quite enjoyable.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1600 second
  • ƒ5.6
  • -4⁄3 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1600 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄3200 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

You’re on hot lava!

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

This house near Biscuit Butte surrounded by lava piqued our curiosity but we didn’t take time to investigate closer. Our thoughts were on burgers and fries in Jordan Valley.

  • Adobe Photoshop CS5.1 Windows
Welcome sight
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄2500 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1
Welcome sight
Motorcycle parking only
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄2000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1
Motorcycle parking only
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄125 second
  • ƒ2.8
  • -1 compensation
  • Adobe Lightroom 8.4.1

I noticed he was wearing a muscle shirt and asked him to flex.

In case you didn't know …
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1
In case you didn't know …
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄3200 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

This looks across the Snake River to Boise, home for me and the start of Joel’s trip home.

  • Nikon D800
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 100
  • 1⁄640 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

I fly by Jordan Craters about once every month for work when I get to look down and remember the great ride I had with my brother Joel.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1600 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

Between squints at the tiny GPS screen and good old-fashioned dead reckoning, we didn’t lose too much time on our way to Succor Creek State Park.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄80 second
  • ƒ8
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1
Wind on the reservoir
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄2000 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Wind on the reservoir
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄640 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Unseen path
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄100 second
  • ƒ11
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Unseen path
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄320 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

Everything in the ride so far I’d seen but down to the Birch Creek Historic Ranch I’d not been.

Flaking rock
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 280
  • 1⁄60 second
  • ƒ8
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Flaking rock
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 400
  • 1⁄60 second
  • ƒ8
  • -4⁄3 compensation
  • Adobe Lightroom 8.4.1

The large crack in the rock that I hoped might be the entrance to a fantastic cave instead was a hollow that, judging by stacked rock walls, had long ago been used as a corral.

  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 280
  • 1⁄60 second
  • ƒ8
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1

It was clear every nook and cranny had been repeatedly picked over for thundereggs. Little round hollows signifying their absence were everywhere.

Temporary closure
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄100 second
  • ƒ8
  • -2⁄3 compensation
  • Adobe Lightroom 8.4.1
Temporary closure
Fire on the water
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • Adobe Lightroom 8.4.1
Fire on the water