
- Nikon D700
- Voigtländer Nokton 58mm ƒ1.4 SL II
- ISO 200
- 1⁄1600 second
- ƒ5.6
- -2⁄3 compensation
- Adobe Lightroom 10.2
Straight ahead.

- Nikon D700
- Voigtländer Nokton 58mm ƒ1.4 SL II
- ISO 200
- 1⁄640 second
- ƒ5.6
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Voigtländer Nokton 58mm ƒ1.4 SL II
- ISO 200
- 1⁄400 second
- ƒ5.6
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Voigtländer Nokton 58mm ƒ1.4 SL II
- ISO 200
- 1⁄640 second
- ƒ5.6
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Voigtländer Nokton 58mm ƒ1.4 SL II
- ISO 200
- 1⁄800 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Voigtländer Nokton 58mm ƒ1.4 SL II
- ISO 200
- 1⁄640 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Voigtländer Nokton 58mm ƒ1.4 SL II
- ISO 200
- 1⁄500 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Voigtländer Nokton 58mm ƒ1.4 SL II
- ISO 200
- 1⁄2000 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Voigtländer Nokton 58mm ƒ1.4 SL II
- ISO 200
- 1⁄320 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Voigtländer Nokton 58mm ƒ1.4 SL II
- ISO 200
- 1⁄125 second
- ƒ11
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Voigtländer Nokton 58mm ƒ1.4 SL II
- ISO 320
- 1⁄125 second
- ƒ8
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 200
- 1⁄320 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 200
- 1⁄250 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 200
- 1⁄125 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2
Frozen sand is poor footing.

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 200
- 1⁄250 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 220
- 1⁄125 second
- ƒ8
- -2⁄3 compensation
- Adobe Lightroom 10.2
He threw his hat onto a steep dune and soon discovered he was unable to climb all the way up the frozen sand to retrieve it.

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 560
- 1⁄125 second
- ƒ8
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 800
- 1⁄125 second
- ƒ8
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 200
- 1⁄2000 second
- ƒ8
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 720
- 1⁄125 second
- ƒ8
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 250
- 1⁄125 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 560
- 1⁄125 second
- ƒ5.6
- +2⁄3 compensation
- Adobe Lightroom 10.2
I was perplexed when I saw this creature in a tree. From a ways off it looked like a monkey but in Idaho, in the desert, in the winter? It was hardly less suprising to finally recognize it as a porcupine. I didn't know they lived in the desert or climbed trees!

- Nikon D700
- Zeiss Makro-Planar T* 2/100 ZF.2
- ISO 900
- 1⁄125 second
- ƒ8
- -2 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 1000
- 1⁄125 second
- ƒ8
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 450
- 1⁄125 second
- ƒ8
- -5⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 500
- 1⁄125 second
- ƒ4
- -1⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 560
- 1⁄125 second
- ƒ4
- -1⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 1000
- 1⁄125 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 2200
- 1⁄125 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 1600
- 1⁄125 second
- ƒ4
- -2⁄3 compensation
- Adobe Lightroom 10.2
Stepping onto the frozen, sloping sand would induce an almost unstoppable slide. It was important to walk the ridgeline. They were a little freaked out about that.

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 400
- 1⁄3 second
- ƒ8
- -1 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 400
- 1⁄2 second
- ƒ8
- -1 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 400
- 1⁄2 second
- ƒ8
- -1 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 400
- 1⁄3 second
- ƒ8
- -1 compensation
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 200
- 1⁄3 second
- ƒ5.6
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 200
- 3 second
- ƒ5.6
- Adobe Lightroom 10.2

- Nikon D700
- Zeiss Distagon T* 2/35 ZF.2
- ISO 200
- 30 second
- ƒ4
- Adobe Lightroom 10.2