Alone in the Owhyees

Eager for a spring ride, I flew around in Google Earth and found a day-long route with highlights along the Owyhee Uplands Back Country Byway — an ancient shoreline, waterfall and big canyons.

Sign of the cross
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Sign of the cross

Completed winter motorcycle maintenance and a new Jeep in the garage needing its own trails made me restless for exploration. Snow likely remained in the mountains to the north so I flew around in Google Earth looking for interesting country to the south.

I came up with Camel Falls and Three Forks, got permission from family, let the GPS software plot a route based on the Owyhee Uplands Back Country Byway¹ and hit the road Saturday morning.

  1. http://idahobyways.gov/…/owyhee-uplands.aspx
The ladies’ line is always longer
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1600 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
The ladies’ line is always longer

Never a fan of the Interstate to Mountain Home, I cut across the military range toward Grand View. There I found PETA¹ had been unexpectedly active, providing cows with their own latrines.

  1. http://peta.org/
Unexploded ordnance
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1600 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Unexploded ordnance

What looks drab can become quickly exciting.

Road on the range
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1600 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Road on the range
All beef paddocks
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2000 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 10.2
All beef paddocks

With a capacity of 150,000 animals, Grand View is the largest feedlot in the world. It may smell for miles and sometimes pollute the Snake River¹ but at least these cattle are kept from poisoning creeks with fecal bacteria and trampling their banks.²

  1. http://yosemite.epa.gov/…/9c0f9d2367106c238525773f007ac2c9
  2. http://highsierrahikers.org/issue_grazing_main.html; also http://oregonstate.edu/…/climate-change-increases-stress-need-restore-grazed-public-lands
Trueblood Wildlife Area
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2500 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 10.2
Trueblood Wildlife Area

I had noticed this wildlife area¹ along the highway before but never taken the time to stop. At other times I understand it bustles with birds and shooters of guns and cameras. Today it was just me.

  1. http://fishandgame.idaho.gov/…/site.aspx
Ted Trueblood pond
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2500 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 10.2
Ted Trueblood pond

Part of the C. J. Strike Wildlife Management Area, the Ted Trueblood Wildlife Area has expanded considerably since its 1987 dedication. The ponds are spring-fed, so they always have water and remain rich in wildlife … It’s a great upland and waterfowl hunting area and photographers visit often.¹

  1. http://idfishnhunt.com/jacks.htm
Dear John
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄800 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Dear John

I stopped to stretch my legs and check-in with Jessica at the Grand View gas station. While inside I overheard another customer asking the attendant for directions to the ancient shoreline. Her and other locals inside hadn’t heard of it so I offered directions to the landmark¹ a few miles south of town. I would never have known of it either except for the comments of a co-worker a few years back.

My day’s route took me along that same shoreline. The Shoofly pioneer cemetery² under the ancient oolite is always worth a stop to look around.

  1. http://blm.gov/…/Shoofly_Oolite.html
  2. http://findagrave.com/…/fg.cgi
Iron perimeter
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Iron perimeter

Across from the cemetery is what remains of the Turmes Ranch,¹ a way station for gold seekers and others entering Idaho by wagon from the south.

  1. http://byways.org/…/75240
Tenacious plants
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • Adobe Lightroom 10.2
Tenacious plants

Weathered sand from the shoreline of ancient Lake Idaho is transformed into whimsical shapes above the pioneer cemetery.¹ I feel like a kid when I get the chance to walk around and explore the odd landscape.

  1. http://bondyweb.com/…/518-oolite-interpretive-site-near-grand-view-idaho
Tunnels in the rock
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄800 second
  • ƒ5.6
  • Adobe Lightroom 10.2
Tunnels in the rock
Pareidolia
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄640 second
  • ƒ8
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Pareidolia

Seeing the Virgin Mary in a slice of toast,¹ an elephant in the clouds, a lion in the stars² or hope for the Republican ticket — I know there’s a word for it.³

  1. http://news.bbc.co.uk/…/4034787.stm
  2. http://en.wikipedia.org/…/Leo_(constellation)
  3. http://en.wikipedia.org/…/Pareidolia
Oolite colonnade
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄640 second
  • ƒ8
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Oolite colonnade
Doyle and Toy Mountains
  • Nikon D700
  • Zeiss Makro-Planar T* 2/100 ZF.2
  • ISO 200
  • 1⁄2000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Doyle and Toy Mountains

After a short tromp around the oolite, I continued along the byway. There’s a small rest area on the side of the road as it begins climbing to the uplands. I slowed and pulled in to have a look — a few picnic tables under trees and an outhouse along the creek¹ — but didn’t stop until I was up on the steppe.

  1. http://blm.gov/…/poison_creek.html
Not built for bumps
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄800 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Not built for bumps

I found Camel Falls by flying around in Google Earth looking for interesting formations, particularly those with geotagged photos,¹ near my route. I couldn’t find a clear trail to the falls so I pointed the right direction and headed overland. It was really bumpy — rather a pain on the pig.

  1. http://support.google.com/…/answer.py
Bullied by birds
  • Nikon D700
  • Zeiss Makro-Planar T* 2/100 ZF.2
  • ISO 200
  • 1⁄1600 second
  • ƒ8
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Bullied by birds
Camel Falls preview
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄500 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Camel Falls preview

I couldn’t get all the way to the falls on the big bike. Maybe if I wanted to fight it but with increasingly large rocks, it finally became easier to walk the last mile or two.

Puddles
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄640 second
  • ƒ5.6
  • -4⁄3 compensation
  • Adobe Lightroom 10.2
Puddles

I expected a full spring creek but found only stagnant pools.

Turn back
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄5000 second
  • ƒ2.8
  • -4⁄3 compensation
  • Adobe Lightroom 10.2
Turn back

A voice in my head reminded me that I’d left the emergency locator beacon with my jacket back at the bike. Drat. If I’m going to have one at all I guess I should carry it when I hike by myself around waterfalls.

Suddenly I'm here
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄640 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 10.2
Suddenly I'm here

I hadn’t been able to recognize the falls as I approached from the bench above. I knew the general direction but was surprised when suddenly they were at my feet.

The cows missed one
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄640 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 10.2
The cows missed one
Camel Falls creek
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄640 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 10.2
Camel Falls creek

I circled around for the view from above the falls.

Water skippers brave the falls
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄320 second
  • ƒ8
  • -1 compensation
  • Adobe Lightroom 10.2
Water skippers brave the falls
A look over the edge
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄320 second
  • ƒ8
  • Adobe Lightroom 10.2
A look over the edge
Box canyon view
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄400 second
  • ƒ8
  • -1 compensation
  • Adobe Lightroom 10.2
Box canyon view
Speckled hen
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄250 second
  • ƒ8
  • -1 compensation
  • Adobe Lightroom 10.2
Speckled hen
Make your own way
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄250 second
  • ƒ8
  • -4⁄3 compensation
  • Adobe Lightroom 10.2
Make your own way

I scrambled down the edge and picked a way across the water.

No swimming today
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄200 second
  • ƒ8
  • -1 compensation
  • Adobe Lightroom 10.2
No swimming today
Ripples on the wall
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1000 second
  • ƒ4
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Ripples on the wall
See, I have the PLB
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄800 second
  • ƒ8
  • -5⁄3 compensation
  • Adobe Lightroom 10.2
See, I have the PLB

I scrambled down the edge and picked a way across the water.

Hang on the best you can
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1600 second
  • ƒ2.8
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Hang on the best you can
On to the next thing
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄500 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
On to the next thing

On my way back to the road I saw I’d been behind a wilderness sign. The next Camel Fills visit will be a longer hike.

Stoneman Creek colors
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄400 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Stoneman Creek colors
Brief diversion
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄3200 second
  • ƒ4
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Brief diversion

Tracks like this make me curious. They went a short distance across Stoneman Creek to this pretty area boxed in by orange walls.

Subtle meander
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1250 second
  • ƒ8
  • -5⁄3 compensation
  • Adobe Lightroom 10.2
Subtle meander
Serrated edges
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1600 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Serrated edges

The land opens up as you follow the byway west.

The most direct route from the Owyhee Uplands Scenic Byway to my next stop, Three Forks, is a fairly straight twelve miles past the Circle Bar Ranch.¹ Almost as soon as I turned off Juniper Mountain Road, though, I was confronted with a “private property” sign saying permission was required to continue.

The alternative is to circle some ways north then back down, about 28 miles.² The shortcut would save a lot of time. I rode up to the compound behind the gate and waited for a ranch hand to fetch the owner.

The lady who emerged was gracious and glad to let me through but warned me about the next owner I’d have to get through. “You’ll have to ask him for permission. Watch out for his dogs. They’re mean. I hate them. I hope they don’t bite you.”

I watched her face but saw no humor. I decided avoiding whatever hassle that might be was worth an extra sixteen miles. I thanked her and headed north.

  1. http://goo.gl/…/md4JT
  2. http://goo.gl/…/HgUEu
West Fork of the Owyhee
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
West Fork of the Owyhee

Two couples at the small campground along the West Fork of the Owyhee motioned me over as I approached. They had UTVs and were curious about the GS. We chatted a bit.

They had been to Three Forks so I asked, “is it muddy?” In spite of being a pig, mud is no friend to the GS.

Nope, they answered, but they warned I had a ways to go yet. Well shucks, no problem, I’m happy to twist the throttle a bit farther.

Soft edges
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄800 second
  • ƒ5.6
  • -2 compensation
  • Adobe Lightroom 10.2
Soft edges
Three Forks area
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1250 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Three Forks area

I rode hard to arrive with enough daylight at the Three Forks recreation area.

Fancy bridge
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄3200 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 10.2
Fancy bridge
Orange cliffs above the Owyhee
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Orange cliffs above the Owyhee

The afternoon of May 27, 1866, a force of white infantry and cavalry encountered a band of about 500 ‘Snake’ (Shoshone-Bannock-Paiute) Indians at the Three Forks of the Owyhee River. Major Louis H. Marshall had led the U. S. Army Regular infantry out of Boise Barracks in an attempt to ‘pacify’ the tribes. Indian attacks on outlying ranches and passing stagecoaches had intensified as prospectors and ranchers poured into the Owyhee area.

At Three Forks, the river twists through an 800-foot canyon, where the walls are practically vertical in places. The soldiers had to clamber over loose rocks and through shifting gravel in their descent along a ravine. Heavily outnumbered (about 85 versus 250–300 warriors), they deployed along the west bank and began exchanging fire across the river.

Marshall finally realized the futility of trying to attack a superior force in such rugged country. He later wrote that ‘Ten men can hold a hundred in check and prevent their ascent.’¹

  1. South Fork Companion: http://sfcompanion.blogspot.com/…/may-27-battle-of-three-forks.html
No one around
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -1 compensation
  • Adobe Lightroom 10.2
No one around
Not any more
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Not any more

The main reason to come this far was to see if it would be a nice destination for the family. I’d seen a couple nice reports¹ of camping at the hot springs but things have changed in the last few years. “The Owyhee River Wilderness was created by the Omnibus Public Land Management Act of 2009 and signed into law by President Barack Obama on March 30, 2009.” Created in the act “were five additional southwestern Idaho wilderness areas in Owyhee County, collectively known as the Owyhee Canyonlands Wilderness Areas.”²

The old river crossing is only about twenty yards inside the wilderness boundary. No way to claim ignorance with signage like this, though.

  1. http://mountainhearth.blogspot.com/…/adventures-and-misadventures-at-three.html
  2. http://en.wikipedia.org/…/Owyhee_River_Wilderness
Last stop of a long day
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄500 second
  • ƒ8
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Last stop of a long day

Heated water poured out of the rocks on this and the other side of the river.

Alongside a hot creek
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1600 second
  • ƒ4
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Alongside a hot creek
Warm pools above the river
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄2500 second
  • ƒ4
  • -5⁄3 compensation
  • Adobe Lightroom 10.2
Warm pools above the river

Since you can no longer get to the river crossing I guess we’d bring one of the inflatable rafts to get over.

One of the high places
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄5000 second
  • ƒ2.8
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
One of the high places

After checking out the hot springs I followed some of the rougher roads to see where they might lead.

For the children
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄6400 second
  • ƒ2.8
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
For the children
Where the rivers meet
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄4000 second
  • ƒ2.8
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
Where the rivers meet

I got up to the road that I wanted to shortcut across and took in the big view before turning back.

I don't mind riding alone
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄1000 second
  • ƒ8
  • -1⁄3 compensation
  • Adobe Lightroom 10.2
I don't mind riding alone
Clean the rims
  • Nikon D700
  • Zeiss Distagon T* 2/35 ZF.2
  • ISO 200
  • 1⁄400 second
  • ƒ8
  • -5⁄3 compensation
  • Adobe Lightroom 10.2
Clean the rims

Imagine, if you will, a twenty second timer on the camera and me jumping back across the creek as fast as I could to lurch ahead on the already running motorcycle.

Owyhee Overlook
  • Nikon D700
  • Samyang 14mm ƒ2.8
  • ISO 200
  • 1⁄320 second
  • ƒ8
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Owyhee Overlook

With a sign and everything.

Am I there yet?
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Am I there yet?

Thirty-two miles of this. Most was speedy but then I’d suddenly be in an exciting muddy patch. And cows. Lots of cows.

Speed up, slow down
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Speed up, slow down
Heated grips and music: on
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄1000 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 10.2
Heated grips and music: on

I pulled off by the JV Café in Jordan Valley to use their WiFi to send a text home to let them know all as was well. Other than that, it was an uninterrupted highway cruise home. What a great ride.