November Oranges

Pinwheel
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄100 second
  • ƒ6.3
  • -2⁄3 compensation
  • Adobe Lightroom 8.4
Pinwheel

Mornings brilliantly gold; half-lit mornings carpeted in silent snow; mornings hardly visible in the fog — these are why I can’t think of doing a job that would have me riding to and fro in a car, straight line, start and stop.

Autumn underwater
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄100 second
  • ƒ6.3
  • -2⁄3 compensation
  • Adobe Lightroom 8.4
Autumn underwater

Artificially enhancing image color and contrast is more garish and satirical than beautiful, I think. It mocks the real. It’s the same exaggerated look my four year old daughter achieves when she tries to do her own makeup.

So I felt guilty faced as I was with leaves red, green and gold reflecting the clear morning sun into languid water. Even leaving all the sliders at zero, it seemed a little too much.

Skipping yellow
  • Nikon D700
  • Zeiss Makro-Planar T* 2/100 ZF.2
  • ISO 200
  • 1⁄250 second
  • ƒ5
  • -1 compensation
  • Adobe Lightroom 8.4
Skipping yellow
Orange surround
  • Nikon D700
  • Zeiss Makro-Planar T* 2/100 ZF.2
  • ISO 200
  • 1⁄500 second
  • ƒ5
  • -1 compensation
  • Adobe Lightroom 8.4
Orange surround

Real or not, the chance to stand a moment and watch leaves zig-zag or swirl their way down to the underworld then float away like little canoes, is all I need.