Marking Art in Tuscarora

Part 4 of 5:In the Mountains

While the Tuscarora art students are busy with projects, I take a day to explore the expanse of mountains I saw from the ridge above town.

Solo route
  • Adobe Photoshop CS4 Windows
Solo route

After a hearty breakfast of pancakes, eggs, bacon and homemade (by necessity, not design) syrup, the Boise students busied themselves with their various artistic pursuits. I hovered for a bit, got a few pictures, and then gave heed to the call of the wild.

Wherever it leads
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄640 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
Wherever it leads

I was determined to get around Mount Blitzen to the unending, uncivilized western mountains I’d seen the day before. I refilled the CamelBak, readied camera equipment and began heading south.

Bed of flowers
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄640 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
Bed of flowers

The tracks south were little used. At times I thought they were about to fade to nothing. But even “nothing” was a pink sympathy bouquet, encouraging loyalty to the road that had been. And so I continued along beds of flowers.

Garland
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄640 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
Garland
Still smiling
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄640 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
Still smiling
More bars
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄400 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
More bars

The nothing turned back into something, adventure ex nihilo, as it merged with a dirt road heading west around Mount Blitzen. Finally. The road fell in along a creek, crossing it back and forth, and cutting through small meadows. Few trees meant a good line of sight and a quick pace, up, down, around, as quick as I could flick the Bavarian platypus. Even if I couldn’t make it into the mountains, it was already worthwhile.

Perfect dirt
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄500 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
Perfect dirt

And then the road suddenly divorced the stream and turned a right angle upward, loyal to a new direction. It was rough at first (divorces are like that), about like the road up to Trinity Lookout,¹ but then the climb relaxed and the road settled down to an easy two-track path.

  1. Trail Image, “Lunch at Trinity Lookout”: http://trailimage.com/lunch-at-trinity-lookout/
Up and away
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄640 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
Up and away

The road soon took up a new mistress, another stream meandering from unknown heights, sustaining a ribbon of vegetation unlike the relatively barren hillsides around. The road and stream intertwined like lovers — I splashed through the water again and again in an adventure ménage à trois. It seemed an ideal ride. I stopped regularly to walk around and savor the place.

Empty square
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄640 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
Empty square

For some reason, the GPS map had a featureless square hole for the hundreds of square miles around Tuscarora. It showed no roads, no contours, no water, nothing, as if the Langoliers had been through. I didn’t know where the road might turn over the next hill. And I liked it. It meant everything I saw was a surprise.

  1. Wikipedia, “The Langoliers”: http://en.wikipedia.org/…/The_Langoliers
Scales
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄640 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
Scales

The road opened onto a bare hill behind Mount Blitzen. I was gently pushed and pulled by a constant wind as I turned in a circle to the sight of mountains in every direction, no sign of another soul. I felt refreshed.

What I took at first glance to be patches of taller grass on the mountainsides, I realized instead were stands of trees. Things were so much bigger than they seemed. An accurate sense of scale was elusive.

Stop and stop again
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄500 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
Stop and stop again

Taller mountains to the west invited me onward. I wasn’t sure how far I would go, only that I would go. Off mountaintops and ridgelines, the road always took up again with trees and stream, guardians of enthusiastic spring flowers whose hospitality invited many stops to visit.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄250 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
Time to walk
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄640 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
Time to walk

The road carried me upward until I was within sight of what seemed to be the tallest peak around (later verified as McCann Creek Mountain). I found a flat area maybe fifty yards from the summit level enough to park and hike the rest.

Look, snow
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄500 second
  • ƒ11
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Look, snow

Steady wind across the peak felt good after climbing in knee-high boots and a coat. It was too high, too early for all the little wildflowers I’d seen a thousand feet lower the day before. But the lichens were just as colorful, contrasting dramatically with green grass and grey rock.

  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄2000 second
  • ƒ4
  • -4⁄3 compensation
  • Adobe Lightroom 8.4.1
In the void
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄400 second
  • ƒ7.1
  • Adobe Lightroom 8.4.1
In the void
Stacked rocks
  • Nikon D700
  • Voigtländer Nokton 58mm ƒ1.4 SL II
  • ISO 200
  • 1⁄400 second
  • ƒ10
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Stacked rocks

The joy of these places is for me an elemental sense of timelessness. Ten thousand years ago or ten thousand years hence, it is the same rocks, the same wind, the same quiet sounds of water animated once again as the earth turns its face to the sun. My mind in that moment is expanded so that whatever concerns I held before shrink from perception against that backdrop of the unchanging and always changing elements.

  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄500 second
  • ƒ10
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Burns 1955
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄500 second
  • ƒ10
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Burns 1955
Outcrop to outcrop
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄500 second
  • ƒ10
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Outcrop to outcrop

Atop McCann Creek Mountain, I went happily from outcrop to outcrop, wanting to see the form and view unique to each one. On my fourth or fifth such climb I noticed a pink ribbon amidst a small pile of rocks.

Ladybug town
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄400 second
  • ƒ10
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Ladybug town

Curious to see what the ribbon might signify, I lifted the stone atop the mound. Bugs exploded at me. A moment of alarm was quickly quelled when I saw they were ladybugs awakened from their collective slumber, moving hastily in no particular direction.

Log book
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄800 second
  • ƒ10
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Log book

After apologizing to the ladybugs, I looked to find a small jar at the other end of the ribbon; inside, a small notepad and pencil. Opening and reading, I found a record of others, a name and hometown.

First for 2010
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄800 second
  • ƒ10
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
First for 2010

I carefully added my own record — with additional remarks you may read when you visit McCann Creek Mountain in Nevada — closed the lid and returned the jar to its stony nest.

Looking back toward Tuscarora
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄500 second
  • ƒ10
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
Looking back toward Tuscarora

From that high vantage point, it appeared the road I’d been on might loop back to Tuscarora. Not wanting to backtrack, I was happy to gamble on the possibility.

First, though, I would have to find a way past a large snowdrift. I thought I could ride off-road around it but as I drew closer I saw the adjacent slope was steep, rocky and wet. I was still tempted but thought better of it. Falling with a heavy motorcycle on a steep hill onto sharp rocks could be more than inconvenient.

  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄400 second
  • ƒ10
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1

Although I had to backtrack, I stopped to explore different areas and took small side-routes, over to an outcropping or through some trees, as I encountered them. It continued to be an exhilarating ride.

  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄250 second
  • ƒ10
  • -1⁄3 compensation
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄640 second
  • ƒ2.8
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄800 second
  • ƒ2.8
  • Adobe Lightroom 8.4.1
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄320 second
  • ƒ2.8
  • Adobe Lightroom 8.4.1
Between aspens
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄200 second
  • ƒ6.3
  • Adobe Lightroom 8.4.1
Between aspens

I made the obvious choice to take the road not travelled when I came to the one intersection I’d passed on the way in. Its state of disrepair suggested it hadn’t been used much this year. It was just technical enough for fun on the big GS.

Not much road left
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄100 second
  • ƒ6.3
  • Adobe Lightroom 8.4.1
Not much road left

The little used road connected back to the easy two-track. Rather than turning back across the Mount Blitzen foothills to Tuscarora, the way I’d come, I followed curiosity farther out from the mountains before the road turned past a rustic farm back toward Tuscarora on gravel.

Solo ride
  • Nikon D700
  • 35.0 mm f/2.0
  • ISO 200
  • 1⁄125 second
  • ƒ6.3
  • Adobe Lightroom 8.4.1
Solo ride

It was a fun, invigorating day. Although I never saw another person, I felt like I’d spent the day with old friends. I would love to explore farther into those mountains. It would have to be another trip, though. The following day was our return to Boise.

As night fell, I lay in the tent searching the GPS for interesting routes home. Even on highway, the stormy forecast might mean my daughter and I faced adventure.