Cricket Ridge Ride

Rocky Canyon serenity
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄250 second
  • ƒ6.3
  • Adobe Lightroom 8.4
Rocky Canyon serenity

We set out for our familiar local loop up Rocky Canyon to the Boise Ridge and back again. It was a glorious day to be in the open air.

Pet it
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄180 second
  • ƒ4
  • Adobe Lightroom 8.4
Pet it

In my mind it was just yesterday when Laura declined to get off this same motorcycle on this same road because of Mormon Crickets.¹ They are a nasty business, inclined to cannibalism² (repeated real estate and investment scams against their own) and proselytizing. But that “yesterday” is years ago² and Laura is well on her way to being a woman, fearless and confident.

  1. Wikipedia: http://en.wikipedia.org/…/Mormon_cricket
  2. Our 2002 YouTube video: http://youtu.be/qk-gAfTO7LU
Free Book of Mormon
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄250 second
  • ƒ4
  • Adobe Lightroom 8.4
Free Book of Mormon
C’mon, let’s hug
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄125 second
  • ƒ4
  • Adobe Lightroom 8.4
C’mon, let’s hug
Enchanted Forest
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄60 second
  • ƒ4
  • Adobe Lightroom 8.4
Enchanted Forest

We wouldn’t follow it all the way down but with sunlight filtering through the trees, setting the forest floor aglow, we couldn’t pass up Trail 4 down from the ridge.

I had this image matted and on display with others when I sold prints at Boise’s Capital Market.¹ Although technically imperfect, I liked the sense of it. I was surprised one Saturday morning when a grizzled and somewhat disheveled man came to me with this print in hand, almost in tears, and asked if it was a faraway place he named.

Of course it wasn’t but he was still desperate to have it, to cherish whatever memories it evoked. He didn’t have the twenty bucks or so but being able to give something that impactful to a person was more rewarding than any amount of money.

  1. Capital City Public Market: http://capitalcitypublicmarket.com/
The way forward
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 200
  • 1⁄1250 second
  • ƒ4
  • Adobe Lightroom 8.4
The way forward
Lost civilization
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄250 second
  • ƒ5.6
  • -2⁄3 compensation
  • Adobe Lightroom 8.4
Lost civilization

Smoke and smog hung across the Treasure Valley, not so obvious until you could step back to see across the plain. The hills are here adorned with odd stripes, scars of erosion prevention measures taken after the Eighth Street fire of 1996¹ just months before I moved here.

  1. Humphreys, Molly K, “The Boise Foothills Fires: A History of Devastating Loss and Remarkable Discovery”: http://web1.boisestate.edu/…/foothills_fires.pdf
Hazy memory
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄750 second
  • ƒ5.6
  • -1⁄3 compensation
  • Adobe Lightroom 8.4
Hazy memory
Climbing around on rocks
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄80 second
  • ƒ5.6
  • Adobe Lightroom 8.4
Climbing around on rocks

We parked above Hulls Gulch¹ to stretch our legs and admire the view.

  1. City of Boise, “Hulls Gulch Reserve”: http://parks.cityofboise.org/…/hulls-gulch-reserve/
Upper Hulls Gulch
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄100 second
  • ƒ5.6
  • Adobe Lightroom 8.4
Upper Hulls Gulch
Looking for lizards
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄40 second
  • ƒ5.6
  • Adobe Lightroom 8.4
Looking for lizards

We saw a few while we were riding.

Eternal embrace
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄160 second
  • ƒ5.6
  • Adobe Lightroom 8.4
Eternal embrace

Many trees remain standing from the 1996 fire like epitaphs to themselves. Clearing Trail 4 of those that fall to their final rest is an inevitable part of spring trail maintenance and likely will be for many years to come.

Silent horde
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄125 second
  • ƒ5.6
  • Adobe Lightroom 8.4
Silent horde
The thoughtful pose
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄180 second
  • ƒ5.6
  • Adobe Lightroom 8.4
The thoughtful pose
I told a joke
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄125 second
  • ƒ5.6
  • +1 compensation
  • Adobe Lightroom 8.4
I told a joke

I feel very lucky both to have a midriff “Office” shirt and the opportunity to enjoy a bit of the wild places with my eldest daughter.

Pretty pollution
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄60 second
  • ƒ5.6
  • Adobe Lightroom 8.4
Pretty pollution

Dramatic sunsets are perhaps the only benefit of pollution, a benefit Laura and I were happy to enjoy.

I had about fifty different images I sold as prints weekend after weekend at the Capital City Market but I remember just two transactions vividly. One I mentioned above, the grizzled man moved by the scene of the trail through the trees. The other, coincidentally, is this silhouette of burned trees from the same evening with my daughter.

In this case it was printed large, framed and priced accordingly. A woman perhaps my own age walked into my little canopy and explained her sister had died fighting a fire. The picture made her think of her sister.

So fancy it didn’t work
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 100
  • 1⁄90 second
  • ƒ5.6
  • Adobe Lightroom 8.4
So fancy it didn’t work

I was trying to do something with a neutral density gradient filter (camera sunglasses) but I didn’t get the exposure right. Some scenes are meant for the mind, not the camera.

One That Got Away
  • Nikon D200
  • Nikon 17–55mm ƒ2.8G
  • ISO 400
  • 1⁄15 second
  • ƒ4
  • Adobe Lightroom 8.4
One That Got Away

Dusk was upon us as Laura and I rode home — a day ends, the future begins.